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From: Sue Morton on 20 Apr 2008 11:26 An even better key for Dan, and no wonder -- since he invented it :-) -- Sue Morton Organfreak wrote: > Actually, it was written in the key of "indeterminate."
From: Michael on 20 Apr 2008 17:42 Bah. Yma Sumac invented it. ;-) Sue Morton wrote: > An even better key for Dan, and no wonder -- since he invented it :-) > > Organfreak wrote: >> Actually, it was written in the key of "indeterminate."
From: polymod on 21 Apr 2008 07:01 "Organfreak" <plonk(a)plinkety.plunk> wrote in message news:o0qm04517bjruj82d9tese7pfp57godv9s(a)4ax.com... > "Sue Morton" <867-5309(a)domain.invalid> blatted: > >An even better key for Dan, and no wonder -- since he invented it :-) > > For keyboard players: > It's funny-- Dan favors the most difficult keys, not because they are hard, but > because he likes the flavor of them. Keys like Bbm, B, F#m, Ebm, etc. Different > key signatures really do have different flavors, and because of the slightly odd > tuning scheme of the Hammond organ, which has to do with the mathematics of gear > ratios, the differences between keys are even more obvious on a Hammond. > > His playing sounds slightly primitive, until you realize that not only is he > playing in these tough keys, but that his technique is unique: the thumb > beats-out the time while the other fingers do something else, and sometimes the > pinky does yet something else. His organ playing is more akin to drumming than > anything else. I've been playing jazz organ for forty years but I can't come > close to whataver the hell it is Dan is doing. It's patented! I liken this to trumpet players trying to play like Louis Armstrong. His phrasing was so unique, it was hard if not impossible to cop. Every trumpet player I know says so. He was basically 'singing' his trumpet parts. Poly
From: gregor on 21 Apr 2008 09:30 polymod wrote: > "Organfreak" <plonk(a)plinkety.plunk> wrote in message > news:o0qm04517bjruj82d9tese7pfp57godv9s(a)4ax.com... >> "Sue Morton" <867-5309(a)domain.invalid> blatted: >>> An even better key for Dan, and no wonder -- since he invented it :-) >> For keyboard players: >> It's funny-- Dan favors the most difficult keys, not because they are > hard, but >> because he likes the flavor of them. Keys like Bbm, B, F#m, Ebm, etc. > Different >> key signatures really do have different flavors, and because of the > slightly odd >> tuning scheme of the Hammond organ, which has to do with the mathematics > of gear >> ratios, the differences between keys are even more obvious on a Hammond. >> >> His playing sounds slightly primitive, until you realize that not only is > he >> playing in these tough keys, but that his technique is unique: the thumb >> beats-out the time while the other fingers do something else, and > sometimes the >> pinky does yet something else. His organ playing is more akin to drumming > than >> anything else. I've been playing jazz organ for forty years but I can't > come >> close to whataver the hell it is Dan is doing. It's patented! > > I liken this to trumpet players trying to play like Louis Armstrong. > His phrasing was so unique, it was hard if not impossible to cop. > Every trumpet player I know says so. He was basically 'singing' his trumpet > parts. > > Poly > > Autographic.
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