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From: polymod on 14 Jun 2008 14:30

"Sue Morton" <867-5309(a)domain.invalid> wrote in message
news:k3S4k.8151$mh5.6226(a)nlpi067.nbdc.sbc.com...
> You KNOW she is!

My mom could smell a joint 10 miles away. She would have made a great cop :)

Poly


From: polymod on 15 Jun 2008 10:56

"Organfreak" <plonk(a)plinkety.plunk> wrote in message
news:fh38549o6jk1jpna265hcqkd1jsqe2orrv(a)4ax.com...
> "polymod" <polymod(a)optonline.net> blatted:
> >
> >"Sue Morton" <867-5309(a)domain.invalid> wrote in message
> >news:Rxk4k.13713$co7.11273(a)nlpi066.nbdc.sbc.com...
> >
> >> Oh Poly whatcha been smokin'?
> >Me? Smokin?
> >Nah....
> >:-0
> >
> >
> >>"This is not nor will it ever be" one of
> >> Dan's best! (to borrow part of a phrase. Speaking of, whatever
happened
> >to
> >> Mumpcake anyway?)
> >
> >Gotta go against you here Sue. There's a lot to like in this song IMHO.
I'm
> >feeling a lot of the authentic soul vibe outta the 60's.
> >2eachhis/herown ;)
>
> Just in case you happen to be still following-along on this, Poly, it just
> occurred to me how interesting these changes are, ignoring the bridge. In
what
> he calls "the intro" and I call "the interlude" because it keeps
recurring, is
> this:
>
> Fm | Fm D7#9 | Fm | Fm | E7#9 | Fm | A7#9 C7#9 | Fm | Fm (break) |
>
> And da head goes:
>
> Fm7 | Fm7 | Fm7 | D7#9 A7#9 | Fm7 | Fm7 |
> Fm7 | Fm7 | Fm7 | E7#9 A7#9 | Fm7 | Fm7 | ("whatever it is")
> A7#9 | C7#9 | Fm7 | Fm7 (break) |
> A7#9 D7#9 | Fm7 | Fm7 (break) |
>
> This is just wacky! What's fascinating to me harmonically is that the E7#9
has
> all the same notes (Ab D G) as would an Fm6/9, they key the song is in,
except
> for the bass. Crazy like a fox.

But it works. I've always used 'common tones' when transposing to other keys
even if temporary. It makes it sound more in than out!

Poly


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