From: John on
have
this place and time been allotted to me? Memoria hospitis unius diei
praetereuntis.[27]

206. The eternal silence of these infinite spaces frightens me.

207. How many kingdoms know us not!

208. Why is my knowledge limited? Why my stature? Why my life to one hundred
years rather than to a thousand? What reason has nature had for giving me
such, and for choosing this number rather than another in the infinity of
those from which there is no more reason to choose one than another, trying
nothing else?

209. Art thou less a slave by being loved and favoured by thy master? Thou
art indeed well off, slave. Thy master favours thee; he will soon beat thee.

210. The last act is tragic, however happy all the rest of the play is; at
the last a little earth is thrown upon our head, and that is the end for
ever.

211. We are fools to depend upon the society of our fellow-men. Wretched as
we are, powerless as we are, they will not aid us; we shall die alone. We
should therefore act as if we were alone, and in that case should we build
fine houses, etc. We should seek the truth without hesitation; and, if we
refuse it, we show that we value the esteem of men more than the search for
truth.

212. Instability.--It is a horrible thing to feel all that we possess
slipping away.

213. Between us and heaven or hell there is only life, which is the frailest
thing in the world.

214. Injustice.--That presumption should be joined to meanness is extreme
injustice.

215. To fear d


From: John on
admit that truth to him, but reveal to him the side on
which it is false. He is satisfied with that, for he sees that he was not
mistaken and that he only failed to see all sides. Now, no one is offended
at not seeing everything; but one does not like to be mistaken, and that
perhaps arises from the fact that man naturally cannot see everything, and
that naturally he cannot err in the side he looks at, since the perceptions
of our senses are always true.

10. People are generally better persuaded by the reasons which they have
themselves discovered than by those which have come into the mind of others.

11. All great amusements are dangerous to the Christian life; but among all
those which the world has invented there is none more to be feared than the
theatre. It is a representation of the passions so natural and so delicate
that it excites them and gives birth to them in our hearts, and, above all,
to that of love, principally when it is represented as very chaste and
virtuous. For the more innocent it appears t