From: James McNangle on
I was recently adjusting an image in Photoshop. The exposure was somewhat
uneven, and if I had been doing it in a darkroom 50 years ago I could have
darkened some areas by holding a bit of card over them for part of the exposure,
and moving it to around so that the darkened area did not have sharp edges.
Similarly I could have lightened other areas by holding a card with a hole in it
over the printing paper so that only those areas got some additional exposure.

I know how to mask areas, and modify the brightness in those areas, but how do I
give the masks a graded edge, so that I don't get sharp discontinuities?


James McNangle
From: ronviers on
On Apr 4, 8:47 pm, James McNangle <mcnan...(a)westnet.com.au> wrote:
> I was recently adjusting an image in Photoshop. The exposure was somewhat
> uneven, and if I had been doing it in a darkroom 50 years ago I could have
> darkened some areas by holding a bit of card over them for part of the exposure,
> and moving it to around so that the darkened area did not have sharp edges.
> Similarly I could have lightened other areas by holding a card with a hole in it
> over the printing paper so that only those areas got some additional exposure.
>
> I know how to mask areas, and modify the brightness in those areas, but how do I
> give the masks a graded edge, so that I don't get sharp discontinuities?
>
> James McNangle

Hi James,
All the selection tools work with dodge. For example you could laso
and area then feather the dodge.

HTH,
Ron

From: ronviers on
On Apr 4, 9:01 pm, "ronvi...(a)gmail.com" <ronvi...(a)gmail.com> wrote:
> On Apr 4, 8:47 pm, James McNangle <mcnan...(a)westnet.com.au> wrote:
>
> > I was recently adjusting an image in Photoshop. The exposure was somewhat
> > uneven, and if I had been doing it in a darkroom 50 years ago I could have
> > darkened some areas by holding a bit of card over them for part of the exposure,
> > and moving it to around so that the darkened area did not have sharp edges.
> > Similarly I could have lightened other areas by holding a card with a hole in it
> > over the printing paper so that only those areas got some additional exposure.
>
> > I know how to mask areas, and modify the brightness in those areas, but how do I
> > give the masks a graded edge, so that I don't get sharp discontinuities?
>
> > James McNangle
>
> Hi James,
> All the selection tools work with dodge. For example you could laso
> and area then feather the dodge.
>
> HTH,
> Ron

My spelling sucks. SB laso an area then feather the selection then
dodge.

From: KatWoman on

"James McNangle" <mcnangle(a)westnet.com.au> wrote in message
news:77l813d0bn4mdne2aa383ed64n2vnaed82(a)4ax.com...
>I was recently adjusting an image in Photoshop. The exposure was somewhat
> uneven, and if I had been doing it in a darkroom 50 years ago I could have
> darkened some areas by holding a bit of card over them for part of the
> exposure,
> and moving it to around so that the darkened area did not have sharp
> edges.
> Similarly I could have lightened other areas by holding a card with a hole
> in it
> over the printing paper so that only those areas got some additional
> exposure.
>
> I know how to mask areas, and modify the brightness in those areas, but
> how do I
> give the masks a graded edge, so that I don't get sharp discontinuities?
>
>
> James McNangle


try select>feather
or if you are using the lasso tool set the edge to be soft like 25-35 in the
feather box
check the select using the mask/unmask box at bottom of toolbar, you can
paint on the mask with a soft brush too.

OR you could use the dodge/ burn tools with a very soft edge brush
choose tool and set options in brush dropdown
use VERY small number like 6% the default is 50%>> way too high for most
areas!
it has wonderful options like only affecting the highlights or shadows
(dropdown)
much easier and more precise than the little wands because you don't have to
rush, it's more intuitive and similar to old darkroom technique


Some here will tell you it's destructive to your original, lose pixel data
etc.
whatever
I say sometimes you don't want every pixel in your original to show or you
wouldn't retouch it at all.




From: ronviers on
On Apr 4, 9:06 pm, "KatWoman" <XXXJoliePrincessKatana...(a)hotmail.com>
> Some here will tell you it's destructive to your original, lose pixel data
> etc.
> whatever
> I say sometimes you don't want every pixel in your original to show or you
> wouldn't retouch it at all.

I find destructive edits baffling, especially in a case like this when
there are simple alternatives, but I admit the results are the same
and I admire the damn the torpedoes attitude.

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